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film history journal submission

The Journal does not accept unsolicited reviews. Films which reflect history; Before preparing submission, please ensure that you are aware of the following: If a submission is out of scope, does not meet academic standards or does not follow the Author Guidelines, the editors will reject it. The journal offers an international platform for cutting-edge debate, new approaches, and interdisciplinary perspectives on the intersection between the two disciplines film … Fair Use and Copyright (“Work Made for Hire”). This right extends to the compression and re-organization of the original argument and/or its examples. (We do not automatically transmit reviews to authors whose manuscripts have been rejected.). History and Theory accepts no responsibility, and contributors themselves must bear full responsibility, for opinions expressed in contributions published in the journal.Nevertheless, because the journal publishes no letters to the editor, nor any other exchanges in which comments on individuals may be rebutted by them, we have a responsibility not to publish injurious comments. • Contact. Publishers are insulated in this way from charges of arbitrariness. Film History publishes original research on the international history of cinema, broadly and inclusively understood. You should prepare your manuscript according to the instructions below, and submit your manuscript online by clicking here. The journal, as first owner of the copyright, retains exclusive rights to publication of the edited/published manuscript thereafter. Film & History, which is a non-profit, peer-reviewed journal affiliated with the American Historical Association and published continuously since 1971, is published twice each year, in the summer and the winter. To be considered for review, manuscripts should be between 8,000 … Films which interpret history; 2. The journal welcomes unsolicited, original submissions from academics around the world about science fiction in all media (literature, film, television, videogames, art, oral history, etc.). If any dispute should arise after publication, an author may, with editorial consent, publish limited correction(s), or the author may request a retraction of his or her name from the article (see “Fair Use,” next section). All articles are distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. List of issues Latest articles Partial Access; Volume 40 2020 Volume 39 2019 Volume 38 2018 Volume 37 2017 Volume 36 2016 Volume 35 2015 Volume 34 2014 Volume 33 2013 Volume 32 2012 Volume 31 2011 Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. • Peer Review and Editorial Process All material to be considered for publication in History Workshop Journal should be submitted in electronic form via the journal’s new online submission system. While no major alterations will be carried out without the author’s consent, the editors reserve the right to make minor editorial changes to any format, punctuation, grammar, or spelling errors. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). We invite individuals from all ages, backgrounds, cultures, and socio-economic circumstances to be a part of living history by keeping a journal in 30, 60, 90, 120-day, or any longer OR shorter increments, and contributing their journalistic efforts to the National Women’s History Museum. Please read the full text of the Creative Commons Licensing Statement here. By accepting publication, a contributor expressly agrees that his or her published work shall be considered a work made for hire; acceptance constitutes “a written agreement between the parties[,] specifying that the work is a work made for hire” by an “independent contractor.” Please see part 2 of the statutory definition (available at http://www.copyright.gov/circs/circ09.pdf) : Section 101 of the copyright law defines a “work made for hire” as, (1) a work prepared by an employee within the scope of his or her employment or. Author Guidelines. All publishers must make decisions based on space and money, not just on quality. Under the spell of a group of East Coast-based auteurists (mainly Howard Mandelbaum of New York, and Robert Smith and Jeffrey Wise of the University of Connecticut) and with the help of lithographer brother Michael and a job as a typesetter and film critic at the Clifton-Vine Reporter newspaper in Cincinnati, Gary Morris published the first issue of Bright Lights Film Journal in 1974. Description: Film History publishes original research on the international history of cinema, broadly and inclusively understood. If an author has written a publishable article (notes toward revision notwithstanding), the editors at Film & History believe that he or she should know this distinction–as should, perhaps, the author’s department chair, college dean, or provost. But the re-published work may not, under any circumstances, be made available online. Collegial Support of the Journal. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy Film History focuses on the historical development of the motion picture and the social, technological, and economic context in which this has occurred. The screening report is a feasibility assessment; it calculates both the degree of editing a manuscript would require and the value our readers would derive from the edited version. A LITTLE HISTORY. Submissions. Film Criticism is a peer-reviewed, online publication bringing together scholarship in the field of cinema and media studies since 1975. Film-Philosophy is interested in the ways in which films develop and contribute to philosophical discussion. Subscription to Film & History is not required as a condition of submission or of publication. Please consider the following Style Guide for Authors. Article Title: 14 point, sentence case, and no more than 20 words (including sub-title). The Journal is also accepting outside submissions so we also encourage authors to consider submitting an article to the journal even if they did not present it at the annual meeting. Research in Film and History does not levy article processing charges (APCs) or any other author fees to submit or publish an article. Articles offered for publication should be sent as an email attachment to editor@filmandhistory.org and one hard copy mailed mailed to the editor: After the initial submission, all further correspondence and transmissions of manuscripts will take place electronically. In 1995, the magazine went online exclusively as brightlightsfilm.com. Film-Philosophy is an international peer-reviewed academic journal dedicated to philosophically discussing film studies, aesthetics and world cinema. The Historical Journal of Film, Radio and Television explores the history of audio-visual mass media and considers its impact on political and cultural history. (2) a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire. Submission Guidelines. Submissions for New Approaches section are accepted on an ongoing basis and will be published throughout the year. If a work is a work made for hire, the employer or other person for whom the work was prepared is the author and should be named as the author on the application for copyright registration…. Articles submitted for the publication are checked with the PlagScan software. The aim is to provide a forum for the interdisciplinary, intercultural and intermedial study of film by publishing innovative research of the highest quality. • APC-free Policy Mission Statement The Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). If a work is a work made for hire, the employer or other person for whom the work was prepared is the initial owner of the copyright unless there has been a written agreement to the contrary signed by both parties. If a contributor should choose to retract his or her name from a published article, the journal usually will honor that request, but the edited/published article remains the exclusive property of the journal and may, at the editor’s discretion, be retained online and in print and may be used in future publications by the journal. Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. We lean, of course, toward our authors’ choices in most cases, but we reserve the right to edit any submission for greater economy of expression and elegance of language. All submitted articles should be original work and must not be under consideration by other publications. This journal considers motion pictures under the following rubrics: 1. Film & History does not, therefore, accept submissions of articles that are under consideration by other journals. Prospective contributors to Film & History are urged to read this page carefully. Manuscripts undergo two stages of peer review, requiring 6-9 months. Article features include film and related media, problems of education in these fields, and the function of film and video in … Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Every woman and girl’s story is important. Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. Under no circumstances, however, may an essay that has not been edited according to the recommendations of peer review be published in the journal, and under no circumstances may an author publish the edited version–which is the legal property of the journal–without consent from Film & History. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Submission of work for potential publication in the journal will be taken as evidence of the author’s awareness, understanding, and acceptance of the policies outlined here. The author of any contribution to Film & History is entitled to reproduce his or her own work for use in the classroom, for inclusion in his or her own book, or for distribution within the author’s institution of employment. Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. The Historical Journal continues to publish papers on all aspects of British, European, and world history since the fifteenth century. Please see http://www.copyright.gov/circs/circ09.pdf (1976 Copyright Act), page 2: Who Is the Author of a Work Made for Hire? Decisions about argument also represent a compromise whenever matters of clarity, accuracy, evidence, organization, logical flow, or any other matters related to efficacy are involved. The journal was renamed (from Cinema Journal) in October 2018.. JCMS ’s basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. Further changes may be then suggested by the General Editor. There are up to 7 steps for you to follow to submit your manuscript. Unless otherwise specified, subscriptions begin immediately upon receipt of payment, and include the next two consecutive issues. Manuscript submissions to the IAFOR Journal of Media, Communication & Film are now OPEN.. Reminders. Research in Film and History welcomes contributions written in English. Research in Film and History does not levy any submission or article processing charges (APCs), or any other fees to publish, access the Journal's website, or read the published materials. Search in: This Journal Anywhere Advanced search Instagram • Plagiarism Policy You move from one step to the next by clicking on the 'Next' button on each screen or back to the previous screen by clicking on the 'Previous' button. For the purpose of the foregoing sentence, a “supplementary work” is a work prepared for a publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes; and an “instructional text” is a literary, pictorial, or graphic work prepared for publication and intended to be used in systematic instructional activities. Argument and/or its examples studies is a peer-reviewed, online publication bringing together scholarship the. 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